Ek Deewane Ki Deewaniyat (2025) Movie ft. Sonam, Harshvardhan, and Shaad

Ek Deewane Ki Deewaniyat is a Hindi romantic drama helmed by Milap Zaveri, with Harshvardhan Rane and Sonam Bajwa taking center stage. The movie hit theaters on October 21, 2025, during the Diwali weekend. Sachin Khedekar and Shaad Randhawa round out the cast, bringing additional layers to this emotionally charged story.

What makes this release particularly notable is its A certificate – making it the first adult-rated Bollywood film to release during Diwali in more than twenty years. The movie doesn’t shy away from exploring the messier, more complicated sides of love and desire.

The Story

The narrative centers on Vikramaditya, an artist whose feelings for Adaa spiral from genuine affection into something far more troubling. Adaa sees relationships as a source of freedom, not chains. But as their connection deepens, Vikramaditya’s behavior shifts – his love becoming possessive, his insecurity taking over.

What follows is a journey through heartbreak, jealousy, and the consequences of letting obsession replace trust. The film asks uncomfortable questions about where love ends and control begins. Set against a backdrop of music and memory, it explores how the same emotion can both heal and harm.

How the Actors Performed

Harshvardhan Rane tackles a challenging role here. I noticed how he had to balance showing a character who’s both sympathetic and deeply flawed. Vikramaditya isn’t a straightforward villain, but someone whose insecurities push him to make terrible choices. Harshvardhan captures that internal conflict convincingly.

Sonam Bajwa holds her own as Adaa. Her character needed to feel both vulnerable and resilient, and she pulls it off. This is their first film together, and the chemistry between them feels genuine – you understand why these two would fall for each other, even when things turn destructive.

The Strengths

The film leans heavily on its music and dramatic moments, and that’s where it truly shines. Songs composed by a team of musicians – including Kunaal Vermaa, Kaushik-Guddu, and Rajat Nagpal – elevate key scenes. Tracks like “Mera Hua” and “Dil Dil Dil” stick with you after the credits roll.

I appreciated how Zaveri approached the material. He’s usually associated with action-heavy commercial cinema, but here he slows down to focus on emotional complexity. The film doesn’t sugarcoat relationships – it shows the ugly parts, the fights, the manipulation disguised as care.

The visuals also deserve mention. Cinematographer Nigam Bomzan uses lighting effectively to mirror the shifting mood between characters. When things are good, the frames feel warm. As the relationship deteriorates, the colors grow colder and harsher.

Where It Falters

Despite its strengths, the movie stumbles in places. Some viewers might find the emotions too theatrical – scenes that aim for depth sometimes land as overdone. The A rating also means families looking for festive entertainment will need to skip this one.

I felt the pacing drag during the latter half. The first portion builds tension effectively, but once you hit the interval, certain sequences overstay their welcome. Tighter editing would have helped maintain momentum.

The dialogue splits opinion. While some lines hit hard, others come off as too flowery or reminiscent of what you’d scroll past on Instagram. That shayari-heavy style works in bursts but can feel excessive over two hours and twenty minutes.

What Critics and Viewers Said

Film critic Taran Adarsh gave it a solid 3.5 out of 5, calling it engaging and praising how Zaveri balanced love with pain. Multiple review platforms echoed similar ratings, typically landing between 3.5 and 4.5 stars. Twitter reactions ranged from calling it the “next superhit” to labeling it unbearable torture.

This split makes sense. The film caters to a specific taste – people who want their romance raw and uncomfortable. If you’re looking for something light and easy, this isn’t it. One review summed it up perfectly: it’s for romantics who believe passion matters more than logic.

Early box office numbers showed decent interest, with advance bookings crossing Rs 1.38 crore. Given it was competing with Ayushmann Khurrana’s Thamma during a holiday weekend, those figures suggest a committed fanbase showed up.

Our Take

Ek Deewane Ki Deewaniyat takes a risk by releasing an adult-rated romance during Diwali. It pays off for viewers wanting something different from typical festive fare. Harshvardhan and Sonam give performances that feel lived-in and real, while the music adds emotional weight to key moments.

That said, this won’t work for everyone. If you prefer your romances hopeful and uplifting, you’ll likely find this draining. The movie demands you sit with discomfort and doesn’t offer easy answers. Its pacing issues and occasional melodrama also work against it.

I’d recommend this to anyone who appreciates films that explore the darker psychology of relationships. It’s not perfect, but it’s honest about how love can become something twisted when mixed with ego and fear. The soundtrack alone makes it worth experiencing on the big screen.

For those wondering if it matches Sanam Teri Kasam, Harshvardhan’s earlier hit – it’s a different beast entirely. That film was tender; this one has teeth.

Rating: 3.5/5